What camera? (and a bit of expo)

August 18, 2010

Building the TV studio 2 years ago, it was relatively easy to choose the cameras.   At the time, Standard Definition was still the prevalent form, although High Definition was quickly taking over.

Panasonic spotted a gap in the market and released a series of 3-CCD camcorders capable of shooting in much better quality than normal 1-CCD home camcorders.



A CCD chip from a regular camcorder

In basic terms, (mainly because this is a far as I understand it) a traditional camcorder contains 1 microchip that records the image from the lens and turns it into a digital signal. 

A three chip (3-CCD) camcorder has three microchips, one for each primary colour.  This means that the 3-CCD camcorder gives effectively three times the quality of a regular camcorder.

This quality isn’t broadcast standard but it very useful for greenscreen.


Greenscreen, chromakey or (in 1970s Doctor Who) Colour Separation Overlay works by having a computer recognise a single colour and removing it from an image or video.   Then any other image can be used to fill in the removed bits.   For this you need to provide a solid primary colour background to your presenter but problem with regular 1-CCD camcorders is that they provide a very poor signal, full of noise or rather not a single colour.

3-CCD camcorders have a chip for each primary colour so the colours are much less noisy and therefore much more solid.

Why a green backgroud?

Red is the main colour in human skin tones (certainly more than blue or green) so we don’t pick red. 

Blue works best with Film so on Making-Of DVD extras you’ll often see blue as the background, but for digital video, the colour processing works best with green. 

Green contains more information in the digital video signal than blue.  It’s as simple as that really.

Back to cameras

Just because something says HD doesn’t mean better quality than SD.   HD on camcorders refers to the output size of video not the quality of the image.  Plus, lets face it HD video is bigger, so processing requires a more powerful computer and more storage space.   In school we try to stick to 640×480 video compressed into WMV, so at that size there’s no point shooting anything in HD.Panasonic's NV-GS500

Unfortunately, the Panasonic 3-CCD range of camcorders we bought has now disappeared in the HD/SD battle.   They were the NV-GS500 and cost around £500.

I’ve been in a bit of a minor panic about what to do when they need replacing.   The market is still in flux so it’s hard to tell what the next best option will be.  Right now, it seems like there is nothing near the GS500s for quality and price.

Panasonic has released a series of 3-CMOS camcorders.   CMOS is the chip normally used inside digital stills cameras and is generally considered better than CCD.  A camcorder called a 3MOS has three of these chips just like the 3-CCD.

In future posts, I’ll talk about how we connect the cameras to the video switcher, which also affected the decision over which camera to buy. 

Ultimately, the cameras are the most important part of the studio as once a camera is chosen, everything falls into place.  Video standards, vision mixing and even which tripods are all governed by that choice.

Scenalyzer Live

June 24, 2010

Impossible to say, but also impossible to do without.   In my previous post about the Canopus ADVC-55, I talked about recording video and TV programmes onto your computer.  Trouble with that is you have to sit over your computer while it records.  Unless you use Scenalyzer Live.  

Scenalyzer Live

For just $34, this software allows you to both timer record and set a stop-record timer.  

In a classic case of work smart not hard, you can set Scenalyzer recording and go do something else.   Especially useful if  you’ve already seen the programme your capturing.   It has saved me countless man-hours in the office, with Scenalyzer running on a second computer, allowing me to get on with other work.

Green Valley / Canopus ADVC 55

June 22, 2010

This is probably the most expensive “thing” I’m going to talk about, but what a difference it makes to my working life.

Green Valley ADVC 55

The ADVC-55 takes in analogue video from almost any source, VHS, Sky+, camcorder and outputs as firewire.  This allows you to take any old video and record it onto a computer. 

The signal is clean, so you won’t have codec issues or anything like that getting in the way.  It’s a great way to keep using those old VHS-ed schools programmes and an even better way to grab all those new documentaries.

THe ADVC-55 comes in at around £120, (warned you it was pricey) but for convenience and ease of use, I can’t reccomend it enough.